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The influence of Mozart's sonata K.448 on visual attention : An ERPs study

Identifieur interne : 000055 ( PascalFrancis/Curation ); précédent : 000054; suivant : 000056

The influence of Mozart's sonata K.448 on visual attention : An ERPs study

Auteurs : WEINA ZHU [République populaire de Chine] ; LUN ZHAO [République populaire de Chine] ; JUNJUN ZHANG [République populaire de Chine] ; XIAOJUN DING [République populaire de Chine] ; HAIWEI LIU [République populaire de Chine] ; ENZHI NI [République populaire de Chine] ; YUANYE MA [République populaire de Chine] ; CHANGLE ZHOU [République populaire de Chine]

Source :

RBID : Pascal:08-0191047

Descripteurs français

English descriptors

Abstract

In the present study, the effects of Mozart's sonata K.448 on voluntary and involuntary attention were investigated by recording and analyzing behavioral and event-related potentials (ERPs) data in a three-stimulus visual oddball task. P3a (related to involuntary attention) and P3b (related to voluntary attention) were analyzed. The "Mozart effect" was showed on ERP but not on behavioral data. This study replicated the previous results of Mozart effect on voluntary attention: the P3b latency was influenced by Mozart's sonata K.448. But no change of P3a latency was induced by this music. At the same time, decreased P3a and P3b amplitudes in music condition were found. We interpret this change as positive "Mozart effect" on involuntary attention (P3a) and negative "Mozart effect" on voluntary attention (P3b). We conclude that Mozart's sonata K.448 has shown certain effects on both involuntary attention and voluntary attention in our study, but their effects work on different mechanisms.
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A08 01  1  ENG  @1 The influence of Mozart's sonata K.448 on visual attention : An ERPs study
A11 01  1    @1 WEINA ZHU
A11 02  1    @1 LUN ZHAO
A11 03  1    @1 JUNJUN ZHANG
A11 04  1    @1 XIAOJUN DING
A11 05  1    @1 HAIWEI LIU
A11 06  1    @1 ENZHI NI
A11 07  1    @1 YUANYE MA
A11 08  1    @1 CHANGLE ZHOU
A14 01      @1 Mind, Art and Computation Lab, Institute of Artificial Intelligence, School of Information Science and Technology, Xiamen University @2 Xiamen, 361005 @3 CHN @Z 1 aut. @Z 3 aut. @Z 5 aut. @Z 6 aut. @Z 7 aut. @Z 8 aut.
A14 02      @1 Institute of Linguistics, Xuzhou Normal University @2 Xuzhou, 221116 @3 CHN @Z 2 aut.
A14 03      @1 Key Lab of Linguistics Sciences & Neuro-cognition Engineering @2 Jiangsu Province, 221116 @3 CHN @Z 2 aut.
A14 04      @1 College of Foreign Languages and Cultures, Xiamen University @2 Xiamen, 361005 @3 CHN @Z 4 aut.
A14 05      @1 Kunming Institute of Zoology, Chinese Academy of Sciences @2 Kunming, 650223 @3 CHN @Z 7 aut.
A20       @1 35-40
A21       @1 2008
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A43 01      @1 INIST @2 17240 @5 354000173656780070
A44       @0 0000 @1 © 2008 INIST-CNRS. All rights reserved.
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C01 01    ENG  @0 In the present study, the effects of Mozart's sonata K.448 on voluntary and involuntary attention were investigated by recording and analyzing behavioral and event-related potentials (ERPs) data in a three-stimulus visual oddball task. P3a (related to involuntary attention) and P3b (related to voluntary attention) were analyzed. The "Mozart effect" was showed on ERP but not on behavioral data. This study replicated the previous results of Mozart effect on voluntary attention: the P3b latency was influenced by Mozart's sonata K.448. But no change of P3a latency was induced by this music. At the same time, decreased P3a and P3b amplitudes in music condition were found. We interpret this change as positive "Mozart effect" on involuntary attention (P3a) and negative "Mozart effect" on voluntary attention (P3b). We conclude that Mozart's sonata K.448 has shown certain effects on both involuntary attention and voluntary attention in our study, but their effects work on different mechanisms.
C02 01  X    @0 002A25
C03 01  X  FRE  @0 Attention visuelle @5 01
C03 01  X  ENG  @0 Visual attention @5 01
C03 01  X  SPA  @0 Atención visual @5 01
C03 02  X  FRE  @0 Potentiel évoqué cognitif @5 02
C03 02  X  ENG  @0 Event evoked potential @5 02
C03 02  X  SPA  @0 Potencial evocado cognitivo @5 02
C07 01  X  FRE  @0 Electrophysiologie @5 20
C07 01  X  ENG  @0 Electrophysiology @5 20
C07 01  X  SPA  @0 Electrofisiología @5 20
N21       @1 119
N44 01      @1 OTO
N82       @1 OTO

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Pascal:08-0191047

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<div type="abstract" xml:lang="en">In the present study, the effects of Mozart's sonata K.448 on voluntary and involuntary attention were investigated by recording and analyzing behavioral and event-related potentials (ERPs) data in a three-stimulus visual oddball task. P3a (related to involuntary attention) and P3b (related to voluntary attention) were analyzed. The "Mozart effect" was showed on ERP but not on behavioral data. This study replicated the previous results of Mozart effect on voluntary attention: the P3b latency was influenced by Mozart's sonata K.448. But no change of P3a latency was induced by this music. At the same time, decreased P3a and P3b amplitudes in music condition were found. We interpret this change as positive "Mozart effect" on involuntary attention (P3a) and negative "Mozart effect" on voluntary attention (P3b). We conclude that Mozart's sonata K.448 has shown certain effects on both involuntary attention and voluntary attention in our study, but their effects work on different mechanisms.</div>
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<s0>In the present study, the effects of Mozart's sonata K.448 on voluntary and involuntary attention were investigated by recording and analyzing behavioral and event-related potentials (ERPs) data in a three-stimulus visual oddball task. P3a (related to involuntary attention) and P3b (related to voluntary attention) were analyzed. The "Mozart effect" was showed on ERP but not on behavioral data. This study replicated the previous results of Mozart effect on voluntary attention: the P3b latency was influenced by Mozart's sonata K.448. But no change of P3a latency was induced by this music. At the same time, decreased P3a and P3b amplitudes in music condition were found. We interpret this change as positive "Mozart effect" on involuntary attention (P3a) and negative "Mozart effect" on voluntary attention (P3b). We conclude that Mozart's sonata K.448 has shown certain effects on both involuntary attention and voluntary attention in our study, but their effects work on different mechanisms.</s0>
</fC01>
<fC02 i1="01" i2="X">
<s0>002A25</s0>
</fC02>
<fC03 i1="01" i2="X" l="FRE">
<s0>Attention visuelle</s0>
<s5>01</s5>
</fC03>
<fC03 i1="01" i2="X" l="ENG">
<s0>Visual attention</s0>
<s5>01</s5>
</fC03>
<fC03 i1="01" i2="X" l="SPA">
<s0>Atención visual</s0>
<s5>01</s5>
</fC03>
<fC03 i1="02" i2="X" l="FRE">
<s0>Potentiel évoqué cognitif</s0>
<s5>02</s5>
</fC03>
<fC03 i1="02" i2="X" l="ENG">
<s0>Event evoked potential</s0>
<s5>02</s5>
</fC03>
<fC03 i1="02" i2="X" l="SPA">
<s0>Potencial evocado cognitivo</s0>
<s5>02</s5>
</fC03>
<fC07 i1="01" i2="X" l="FRE">
<s0>Electrophysiologie</s0>
<s5>20</s5>
</fC07>
<fC07 i1="01" i2="X" l="ENG">
<s0>Electrophysiology</s0>
<s5>20</s5>
</fC07>
<fC07 i1="01" i2="X" l="SPA">
<s0>Electrofisiología</s0>
<s5>20</s5>
</fC07>
<fN21>
<s1>119</s1>
</fN21>
<fN44 i1="01">
<s1>OTO</s1>
</fN44>
<fN82>
<s1>OTO</s1>
</fN82>
</pA>
</standard>
</inist>
</record>

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